Public Art

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Mitcham's Public Art Grants Now Open !

The City of Mitcham's Public Art Grants 2019-2020 are now open and will close 12pm (noon) 30 September 2019. Please note that applications must be sent to and project delivery must be completed by 30 June 2020.

Please note that the Mitcham Arts Advisory Group (MAAG) will be holding a Grant Information evening on Wednesday 18 September 2019. This will be an opportunity for artists to discuss their concept and/or receive assistance with completing an application with members of MAAG.

Public Art Grant 2019-2020 (Round 3) Fact Sheet

Public Art Grant 2019-2020 (Round 3) Application Form

If you would like any more information or would like to be added to our distribution list please contact Rebecca Olthoff on 8372 8128 or

What is Public Art?

Public art makes a significant contribution to local identity, helps create and activate vibrant public realm and assists to build a strong cultural and arts sector for the betterment of the community. Art can be seen as an expression of culture and can include traditional forms such as memorials, monuments, sculptures or murals or more contemporary forms such as sound installations, video or laser projections, text, aerosol art and street banners. It also includes functional objects such as fountains, street furniture, lighting and paving. It may be both permanent and/or temporary.

The Mitcham Art Advisory Group (MAAG) was established to review and provide recommendations to Council on significant or contentious public or community art proposals, you can view the terms of reference for MAAG by clicking here. The advisory group awards up to the value of $25,000 each financial year. The projects awarded historically are listed below.

Joel Van Moore - Torrens Park Pump Station

More than 60 litres and 120 spray cans of colourful paint is now decorating SA Water’s historic Torrens Park Pump Station as part of our Public Art Grant. Situated next to the Torrens Park Railway Station on Belair Road, the station’s three public-facing walls have been given new life by influential South Australian and local resident of Mitcham artist Joel Van Moore. Joel has travelled the world painting public artworks for more than two decades and is the current Artistic Director of the Wonderwalls Festival in Port Adelaide was overwhelmed by the positive feedback her received from the community.

Joel Van Moore aka Vans the Omega spent two weeks painting the three sided mural on the corner of Blythewood and Belair Roads on the SA Water owned Torrens Park Pump Station. The artwork design across the three public-facing walls incorporates unique elements common to the local community including images of the nearby Brownhill Creek Catchment, the native Purple Crowned Lorikeet and parts of the pumping infrastructure from inside the station itself. The mural also features a young girl, Violet, on the northern façade as a representation of the bright future of the Mitcham area. Also featuring on the mural is Metropolitan Facilities Manager Richard Mayger, who has been a dedicated member of the SA water industry for more than 45 years.

We invite you to take a look around.

Project2Project - Pipe Dreams

Pipe Dreams, was installed on the shed at the City of Mitcham Civic Centre located at 131 Belair Road, Torrens Park. Pipe Dreams, created by Project2Project is a vinyl of oversized pipework that is meant to evoke a sense of wonder. It eludes to the workings of our systems, our utilities and the infrastructure we rely on provided by our governments; workings too often assumed and underappreciated while providing transparency to the building. The artwork has been designed to incorporate historical and educational elements from Mitcham incorporated into it that are available through an activity sheet that you can collect from the Civic Centre or download a copy here.

We invite you to take a look around.

Elizabeth Close and Jake Holmes - Mural

@elizabethclosearts and completed an indigenous inspired mural on the Hawthorn Community Centre in December 2018. The water from Brownhill Creek and the natural surrounds were used as inspiration for the art piece. Hawthorn Community Centre provides the most suitable location for a mural as it nestles Brownhill Creek which has extensive cultural heritage; is surrounded by the redeveloped Soldiers Memorial Precinct and will be in view of the upgraded Mitcham Memorial Library. This mural artwork does not replace any official Kaurna art that is being determined as part of the precinct upgrades.

"This project was so organic in that Jake and I designed as we moved around the building, responding to the environment and the walls. The result, we think, lifts the entire space, and we have had so many comments from city of Mitcham residents as they’ve walked past." Elizabeth Close, Aboriginal Artist.

We invite you to take a look around.

Aiyudot Khom - Four Seasons of Play

A fence art installation reflecting on the changing face of the Mitcham hills across a single year and on the special place that natural play settings have for younger people and their families. The winter season was erected in July 2018.

Winter Arrives
Spring is Here!
Summer has Arrived
APEX Park, Watahuna Avenue, Hawthorndene

Autumn Begins!

James Dodd Public Collection Drawing Device

This piece of art engaged people and places of the City of Mitcham. The mobile machine with solar powered movements invited people to come up and talk to the artists while working, and make drawings. Jimmy collected Soul Data within the City of Mitcham during February and March 2019.

This project combines machines and their role in a visual arts practice with physical and cultural explorations of suburbia. James developed a couple of new machines, or drawing devices, these machines are curious objects that appear to have perhaps tumbled out of garden shed, they are used to create drawings that might be indicative or inherently connected to the public space in which they are created and that the act of using these machines is a point that is mildly performative and one at which audiences are encouraged to approach and engage with the artist.

"I have also been curious about increasing cravings for ‘data’ within local government and broader authorities. This is creeping relentlessly towards the arts – a sector that can be difficult to negotiate numerically.  So – I’m going to try and ‘count things’ as a driving pursuit within this project.  I would like to try and count the things that are tricky to count.  This will be a broad
experiment, resulting in many conversations as outcomes and, hopefully, finding
a way into drawings as outcomes".

Check out my project on Instagram - Local Soul Data

Local Soul Data